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Classical Scene with Warriors and Other Figures, possibly Ares

On display in:

Archive Office Corridor

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Hancarville, Pierre-François Hughes, Baron d' (b.1719, d.1805)

Date

c 1800

dated stylistically

Place of production

  • Italy?

Medium

  • oil on canvas, laid on board

Type of object

  • paintings

Accession number

20.2011.5

One of a set of twelve allegorical painted panels in the style of classical red figure vase painting depicting warriors and other figures. On the left stands a warrior in armour in profile holding a spear and an old man in robes, his head resting on his left hand as if in thought. Two young men kneel and sit on the ground in the centre before two men on the left. On the left, there is an old man with a beard playing a lyre. He stands with a foot resting on a stone block. To the right, a nude warrior wearing a helmet, possibly Ares, sits with a shield.

Twelve panels painted in the style of red figure Greek vases were probably made to decorate a library around the turn of the nineteenth century (acc. nos 20.2011.1-12). This panel depicts two young men attentively listening to a musician and a warrior, the latter possibly Ares, god of War. The panels once belonged to Sir Sydney Barratt, an important chemist in World War II, who helped in the development of the bouncing bomb.

Commentary

The designs are painted in black on a red background, with pentimenti evident in several areas. They are similar in appearance to the illustrations in the volume 'Collection of Etruscan, Greek, and Roman antiquities: from the cabinet of the Hon. Wm. Hamilton', first published in 1767. The artist was probably inspired by this publication. The scenes depicted in the Waddesdon panels do not however appear in the book and appear to have been devised by the artist. Hamilton's purchase of the vases, now in the British Museum, was arranged by the French scholar Baron d'Hancarville. He wrote the introduction to the book. The panels may have been painted in Italy. Sydney Barratt collected the sort of works of art that appealed to 18th-century British aristocrats who visited Italy as part of the Grand Tour.

Around 1800, artists based in Naples and Rome such as Johann Heinrich Wilhelm Tischbein (1751-1829) used the illustrations of Hamilton's vases as inspiration for devising decorations of small rooms and cabinets. The twelve panels at Waddesdon depict a mixture of subjects found in a library, such as geography, astronomy, music, philosophy and art. Several also show men, women and children listening or taking notes, depicting the activity of learning.

Phillippa Plock, 2012

Physical description

Dimensions (mm) / weight (mg)

788 x 1340

Signature & date

not signed or dated

History

Provenance

  • Owned by Sir Sydney Barratt (b.1898, d.1975); by descent to his son John Barratt (d.2009); sold, Christie's, London, 16 December 2010, as part of The Barratt Collection Sale - from Crowe Hall, Bath, lot 92; then to a Rothschild Family Trust.

Collection

  • Waddesdon (Rothschild Foundation)
  • On loan since 2011
Bibliography

Bibliography

  • Christie, Manson & Woods Ltd.; The Barratt Collection from Crowe Hall, Bath. 16 December 2010.; 2010; London; lot 92