Showing 25–29 of 29 results
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Botanical Print Pen Pot Hexagonal
£9.95 Buy Leather wallcoverings were produced principally in the Low Countries from the late 16th century onwards, copying an Islamic tradition with origins in Moorish Spain. Richly decorated, the leather is stamped to create designs, dyed and then gilded. The design used on this range has been adapted from the leather wallcovering in the Bachelors’ Wing. -
Flett Bertram Notecard Wallet
£5.50 Buy Waddesdon’s famous collection of porcelain has inspired historians, manufacturers and artists for decades. Inspired by the Sèvres colours and floral motifs, Flett Bertram has created these exclusive designs. Flett is a graduate of Embroidery at the London College of Fashion. Now working in Paris for haute couture houses, she ensures old passementerie is kept alive. Passementerie is the art of making elaborate trimmings or edgings of braided metallic cords, embroidery, coloured silk or beads and used as embellishment on furnishings. This technique is used extensively in Waddesdon. -
Sèvres Porcelain Fridge Magnet Set of 8
£6.50 Buy Waddesdon holds a renowned collection of Sèvres porcelain including a 235 piece dinner and dessert service, ordered by Marie-Antoinette in 1781 and “bleu celeste”, specially designed for Louis XV. Baron Edmond de Rothschild commissioned watercolours of designs for Sèvres dinner service plates in the 1880s from Madam Zeppenfeld. She copied the plate designs from an album preserved in the Sèvres archives, dating from the 1780's. -
Pompadour Notebook
£11.95 Buy This fine portrait has not been attributed to a particular artist, but it demonstrates knowledge of several portraits, including those by François Boucher (1703-1770). These portraits were central to Pomadour’s self-presentation, carefully designed to captivate the King. Jeanne-Antoinette Poisson (1721-1764), Marquise de Pompadour, was the acknowledged mistress – ‘maîtresse-en-titre’ – of King Louis XV from 1745 until her death. -
Portraits Notecard Wallet
£6.50 Buy Portraits of real people as gods, goddesses or personifications of Seasons or Virtues were common in the 18th century. The French artist Jean-Marc Nattier painted this unknown woman as a River Goddess in around 1738. Thomas Gainsborough used characteristically brilliant brushwork in this portrait of Frances Browne, Mrs John Douglas, painted in 1783-1784 and included in his first private exhibition. Little is known about the sitter.